Petals of Blood

Petals of Blood

Ngũgĩ wa Thiong'o Moses Isegawa / Nov 26, 2020

Petals of Blood The puzzling murder of three African directors of a foreign owned brewery sets the scene for this fervent hard hitting novel about disillusionment in independent Kenya A deceptively simple tale Peta

  • Title: Petals of Blood
  • Author: Ngũgĩ wa Thiong'o Moses Isegawa
  • ISBN: 9780143039174
  • Page: 356
  • Format: Paperback
  • The puzzling murder of three African directors of a foreign owned brewery sets the scene for this fervent, hard hitting novel about disillusionment in independent Kenya A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya Yet as the intertwined stories of the four suspects unfold, a devThe puzzling murder of three African directors of a foreign owned brewery sets the scene for this fervent, hard hitting novel about disillusionment in independent Kenya A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya Yet as the intertwined stories of the four suspects unfold, a devastating picture emerges of a modern third world nation whose frustrated people feel their leaders have failed them time after time First published in 1977, this novel was so explosive that its author was imprisoned without charges by the Kenyan government His incarceration was so shocking that newspapers around the world called attention to the case, and protests were raised by human rights groups, scholars, and writers, including James Baldwin, Toni Morrison, Donald Barthelme, Harold Pinter, and Margaret Drabble.First time in Penguin Classics

    • Best Download [Ngũgĩ wa Thiong'o Moses Isegawa] ✓ Petals of Blood || [Memoir Book] PDF ☆
      356 Ngũgĩ wa Thiong'o Moses Isegawa
    • thumbnail Title: Best Download [Ngũgĩ wa Thiong'o Moses Isegawa] ✓ Petals of Blood || [Memoir Book] PDF ☆
      Posted by:Ngũgĩ wa Thiong'o Moses Isegawa
      Published :2020-08-24T09:15:19+00:00

    About "Ngũgĩ wa Thiong'o Moses Isegawa"

      • Ngũgĩ wa Thiong'o Moses Isegawa

        Kenyan teacher, novelist, essayist, and playwright, whose works function as an important link between the pioneers of African writing and the younger generation of postcolonial writers After imprisonment in 1978, Ng g abandoned using English as the primary language of his work in favor of Gikuyu, his native tongue The transition from colonialism to postcoloniality and the crisis of modernity has been a central issues in a great deal of Ng g s writings Ng g wa Thiong o was born in Kamiriithu, near Limuru, Kiambu District, as the fifth child of the third of his father s four wives At that time Kenya was under British rule, which ended in 1963 Ng g s family belonged to the Kenya s largest ethnic group, the Gikuyu His father, Thiong o wa Nducu, was a peasant farmer, who was forced to become a squatter after the British Imperial Act of 1915 Ng g attended the mission run school at Kamaandura in Limuru, Karinga school in Maanguu, and Alliance High School in Kikuyu During these years Ng g became a devout Christian However, at school he also learned about the Gikuyu values and history and underwent the Gikuyu rite of passage ceremony Later he rejected Christianity, and changed his original name in 1976 from James Ng g , which he saw as a sign of colonialism, to Ng g wa Thiong o in honor of his Gikuyu heritage After receiving a B.A in English at Makerere University College in Kampala Uganda in 1963, Ng g worked briefly as a journalist in Nairobi He married in 1961 Over the next seventeen years his wife, Nyambura, gave birth to six children In 1962 Ng g s play THE BLACK HERMIT was produced in Kampala In 1964 he left for England to pursue graduate studies at the Leeds University in England.The most prominent theme in Ng g s early work was the conflict between the individual and the community As a novelist Ng g made his debut with WEEP NOT, CHILD 1964 , which he started to write while he was at school in England It was the first novel in English to be published by an East African author Ng g used the Bildungsroman form to tell the story of a young man, Njoroge He loses his opportunity for further education when he is caught between idealistic dreams and the violent reality of the colonial exploitation THE RIVER BETWEEN 1965 had as its background the Mau Mau Rebellion 1952 1956 The story was set in the late 1920s and 1930s and depicted an unhappy love affair in a rural community divided between Christian converts and non Christians A GRAIN OF WHEAT 1967 marked Ng g s break with cultural nationalism and his embracing of Fanonist Marxism Ng g refers in the title to the biblical theme of self sacrifice, a part of the new birth unless a grain of wheat die The allegorical story of one man s mistaken heroism and a search for the betrayer of a Mau Mau leader is set in a village, which has been destroyed in the war The author s family was involved in the Mau Mau uprising Ng g s older brother had joined the movement, his stepbrother was killed, and his mother was arrested and tortured Ng g s village suffered in a campaign.In the 1960s Ng g was a reporter for the Nairobi Daily Nation and editor of Zuka from 1965 to 1970 He worked as a lecturer at several universities at the University College in Nairobi 1967 69 , at the Makerere University in Kampala 1969 70 , and at the Northwestern University in Evanston in the United States 1970 71 Ng g had resigned from his post at Nairobi University as a protest against government interference in the university, be he joined the faculty in 1973, becoming an associate professor and chairman of the department of literature It had been formed in response to his and his colleagues criticism of English the British government had made in the 1950s instruction in English mandatory Ng g had asked in an article, written with Taban lo Liyong and Henry Owuor Anyumba, If there is need for a s


    1. I once gave up on the ambitious narrative sprawl of Wizard of the Crow, only to find my mind and body buried within the passionate scribble of these Petals of Blood,A flower with petals of blood. It was a solitary red beanflower in a field dominated by white, blue, and violet flowers. No matter how you looked at it, it gave you the impression of a flow of blood.To find oneself lost within an arresting read of love, sex, betrayal, oppression, censorship, and economic strife, while also courted by [...]

    2. This is the first book I have read by Ngũgĩ wa Thiong'o, and I was swept away by it. Written in 1977, Petals of Blood recreates many of the tensions in Kenya at the time. Although the book is anchored by investigation into the murder of three highly placed Kenyan officials, it is at heart a sweeping exploration of the tensions tearing apart Kenyan society: misplaced quest for wealth, modernity, and power; the continued stranglehold of Western imperialism on Kenyan society; the questions of the [...]

    3. Reading literature that is not written for your eyes is hard as a white man. So many of the narratives that I have encountered in my life, from books to movies to advertising to cultural mythologies, have been developed for me to eat up and enjoy with remarkable ease. It is quite easy for me to make it through the day without encountering much that challenges these narratives. And, even as a gay man, it is easy for me to discover just enough culture through the internet in daily doses of glitter [...]

    4. Petals of Blood comes up in discussions about the most important African novels of the 20th century. Ngũgĩ wa Thiong'o (pronunciation - if you want to pick one name, Ngũgĩ is correct) was a disciple of Chinua Achebe's, until they had a violent falling out over philosophy: Ngũgĩ decided to stop writing in English, switching to his native Kenyan language of Gikuyu. African language for African people. Achebe had a broader audience in mind. 1977's Petals of Blood was Ngũgĩ's final English w [...]

    5. At the outset it is a murder fiction. The plot unravels with an ongoing investigation of the triple murder of three socially eminent men Kimeria , Chui and Mzigo . The investigation leads us to a journey into the past ; the past of not just the prime accused Karera and Munira but also the victims Kimeria , Chui , Mzigo and the past of Africa itself. Set in nascent Kenya the novel is a pungent criticism of the erstwhile European imperialism and its cankerous impact on the African nation. It is al [...]

    6. A very symbolic, yet simultaneously open critique of colonialism and the system it set in place in Kenya. It clearly outlines the path of exploitation and corruption that has so defined Kenyan politics. This is a must read for anyone coming to visit Kenya or interested in African culture and literature. It is no surprise this book was so contentious and that Ngugi was later jailed

    7. The most telling thing I can say about this book is that I was within 20 pages of the end and I was hungry so I got up to make myself a sandwich, and didn't finish the book until later that night.The pace of this book is slow. It has about 4 climaxes. It never really drew me in. But it has some great moments, and some interesting lessons. I see the four main characters as symbols of the four post-colonial African peasant archetypes. The prostitute, the merchant/beggar, the socialist/revolutionar [...]

    8. The dedication at the start of this book reads 'To The Soviet Writers Union for giving me the use of their house in Yalta in order to finish the writing of this novel' and the writer Ngugi was imprisoned for a year in the 70's for his writing so you know as you start the book that this is not going to be an ordinary murder mystery. In fact that is the starting premise as four individuals are arrested in the mid 70's for the murder by arson of three high ranking wealthy industrialists/capitalists [...]

    9. I expect he'll get the Nobel Prize sooner or later. In this book, what starts (and ends) as a murder mystery becomes a profound look at what happened to Kenya post-independence, and to Kenyan people. This is not an easy read for people expecting a quick mystery with stereotypic characters, but by the time your done, you'll have insight into complex characters not of our culture and what shaped them. Best book I've read in several years, even though it took me a while to get into it - largely bec [...]

    10. This is one of the first Ngugi books I read and I have to admit I enjoyed his earlier work about the Mau Mau rebellion more as I was reading it. However, looking back I see the brilliance of Petals of Blood. This work takes incredible courage. I was visiting Kenya when he first came back after decades of exile and he was attacked by thugs. To take on the corrupt post-independence regime and not just create a mythology about the heroes of independence is what makes Ngugi a master. I wish an Ameri [...]

    11. Think of it as "Grapes of Wrath" set in Kenya. It's a highly political novel, chastising imperialism, capitalism, and corruption in Kenya, written by an author with Marxist leanings. Nevertheless, the interweaving of four people's stories leaves room for different perspectives, and the novel never descends to the level of a manifesto. I couldn't stop comparing Petals of Blood to Grapes of Wrath though, and I must plainly say that Steinbeck, taking more time to unfold a narrower story, delivers p [...]

    12. Masterpiece. He shows the slow encroachment of a whole range of forces from capitalism to 'modernity' post-independence in Kenya and does it while implicitly critiquing almost every ideological position that can be taken in such a context.

    13. رواية مملة جدا لم استطع انهائها حيث الكاتب كاره للرأسمالية ومحب للاشتراكية وكاره لكل ما هو أبيض وعاشق لكل ما هو أسودبالإضافة إلى أن الكاتب لديه القدرة أن يعيد ويزيد في نفس الكلام عن الحلم الافريقي والرجل الأبيض البغيض وأتباعهم من الخونة الأفارقة الذين باعوا أنفسهم من أجل ال [...]

    14. Ngugi's writing commands attention. This book was published in 1977 but the story was written within seven years pre-publication set in an imaginary town of Ilmorog along the Trans-Africa highway. The story revolves around four main characters: Munira, Abdulla, Karega, and Wanja all of whom meet in Ilmorog, and find themselves caught up in the failed promises of post independence in Kenya. Munira is a teacher who is posted to the school and struggles to get the basics including keeping the pupil [...]

    15. It's funny, from reading the Acknowledgments I knew what I was in for when I read his thanks to "The Soviet Writers Union for giving me the use of their house in Yalta in order to finish the writing of this novel." Written in 1977, this was a time when Communism was where it was at, right? So I figured that this would be a revolutionary anti-capitalist post-colonialist Kenya read. And it was. I didn't enjoy it as much as "Wizard of the Crow," which I really loved and would recommend highly, and [...]

    16. This book was on my shelf for a long time, one of those 'should reads' that I wasn't very inspired to pick up. Finally, I had nothing else at home to read, and I picked it up. It still felt like a 'should read' in the beginning, and I found the novel slow going, only reading a few pages a night. I couldn't relate to the characters, who seemed to just be wandering around in the story which didn't seem to be going anywhere. Then, at the very end of part one, when the community of Ilmorog decides t [...]

    17. The plot goes nowhere after the initial murder mystery dissolves into a sparsely conceived framing device, dislocated in both time and attention by the agonizingly slow progression of the main narrative, itself enacted via extended flashback. The characters are abstract and lifeless, and the novel's sociopolitical impetus, though admirable and understandable, impede the development of anything of interest. The prose is generally flavourless, if technically sound, but the descriptions of a Kenya [...]

    18. A screed against post-colonial indigenous capitalism in Kenya tucked into a character-driven story about personal relationships to power and history. Memory, passion, and perspective bias everyone so the story barely tells itself but instead is formed from the impressions of those living it. Ngugi is one of the great anti-imperialist writers and also a great novelist. This book allows the author a few moments of utopian soapboxing and revolutionary memorializing, but mostly he buries the politic [...]

    19. I’m not surprised the book is a classic and now I understand. I was engrossed by the story from start to finish. There is obviously a main character in the book like in others but novel is more about socio and political challenges in post-independence Kenya –the main protagonist here is the people and government. But I bet all Africans who lived post-independence in their own countries will find resonance.I have also learnt that after the publication of the book in late 70’s and plays that [...]

    20. 3.5 - 4 A book laden with mysteries of the past which need discovering, and several different social aspects which emerged in independent Kenya. The reader explores the primarily rural old Ilmorog as it progresses and develops, and watches how people either eat or are eaten.Rather slow at times but everything fits neatly together in the end, so that the author's message is delivered effectively to the reader. While the African words, phrases and songs put the reader in the right Kenyan atmospher [...]

    21. This book really touched my heart. Ngugi wa Thiong'O truly understands Kenya's Neo-colonism era and depicts the reality of ordinary Kenyan people's life during that period. Furthermore, he also mentions the legacy of the British colonialism as well as the difficulties and consequences of modernization. Overall, the hardships that ordinary Kenyan people went through in creating 'New Kenya' were mentioned throughout the book. It shattered my old conception of 'Lion King' Kenya and allowed me to se [...]

    22. This is a disturbing novel with substantial violence in Kenya, and deals with issues of brutal neo-colonization. Not for the faint-hearted. Not exactly an easy, thrilling book. A moderately difficult read, because it has numerous underlying themes, interrogating Western values and our own notions of civilization and law-enforcement.

    23. Very interesting--riveting in places, but my eyes glazed over in other places. If a book combines a socio-political message with a fiction plot, I prefer the fiction plot to be straightforward, otherwise it can turn out like this one, with too many flashbacks to too many different events. Perhaps just not the right book at the right time.

    24. Not often do I have to read a book twice in order to attempt to formulate an idea of what I want to talk about. Usually, as I read I think of the topics or themes in the novel that most interest me, and by the time I get around to writing this blog, I have a fairly coherent outline of what I want to explore. But I found a new kind of obstacle in Africa, specifically Kenya, and its literature. It’s nothing more than the fact that Kenya baffled me, both in Ngugi wa Thiong’o's Petals of Blood a [...]

    25. This book isn’t necessarily about Kenya, it can be set in most post-colonial countries in Asia and Africa. The story is about the struggle against the European colonial power, and after achieving that success, things going sour. The Europeans are physically gone but they still control Kenya through other means—money, power, the world economic system that they have created. It’s different kind of colonialism.The book is set in small town that is losing its young to bigger cities. The town i [...]

    26. Literary pundits and Ngugi fans, please don't thirst for my blood or send goons to finish me off. I'm sorry to say that I'm finding Ngugi books kind of a drag for me. This is the second book of Ngugi I am not finishing in a span of one year. Even after skipping several pages occasionally still I didn't make it past P.90. I'm stopping right there I have read the voluminous Game of Thrones series without skipping even a word, but this --- I liked Wanja more by the way; and Munira is kinda ostenta [...]

    27. There’s no denying it: Thiong’o is a genius. He knows what he’s talking about. Petals of Blood is a well written piece of work filled to the brim with interesting ideas, critique and opinions. But what’s always confronting about Thiong’o’s works for me is that I’m clearly not part of his target audience. His works take me a long time (this one took me a month), despite the fact that I am experienced in reading African literature. His works are packed with cultural references, Swahi [...]

    28. Excellent read. The tensions of the new-Kenya presented in this book echo today across much of the region. However, it's eerily reticent of the important movement of a 'return to culture' emerging among more contemporary African literature. I am a big fan of Ngugi's work, particularly Decolonising the Mind, and Petals of Blood is a clear example and standard which invites the reader to understand theimportance of this need to recenter out language and literature in the place and space it is comi [...]

    Leave a Reply